Sunday, November 21, 2010

Graz

Following three weeks of pampering by Piotr and Jan in Krakow, Susan flew off home to see her kids while Piotr and I rented a car and headed cross-country to Venice. We crossed through five countries in two days: Poland, the Czech Republic, Austria, Slovenia, and Italy.

To Confuse the Enemy
On leaving Krakow, we were anxious not to miss our exit, since we had used something of a side road to avoid construction on the main route. Fortunately, we came across a road sign that showed that we were approaching a roundabout with three exits. The only problem is that there was no text on the sign at all. “It has been removed,” Piotr joked, “in order to confuse the enemy.”

A Cup with 2 Pieces of Chalk
We stopped for dinner at a roadside chain just on the outskirts of Vienna, where they kindly arranged to feed me some pasta that combined items that were not combined on their menu. For dessert, they had a special that provided Piotr with a coffee and me with a doughnut, and as a bonus they gave us a coffee cup. What was unique about this item is that it came with couple of pieces of chalk, because the surface of the cup is a kind of slate.

Peter Cook
Our first night was spent in Austria in the delightful little city of Graz, built on the pretty Mur river. Graz is home to a fanciful art gallery, designed by Peter Cook—an architect, like several of his 60s generation, famous for buildings that were impossible to realize. He once designed, for example, a city on legs that was intended to walk slowly across country. Graz, however, actually managed to instantiate one of his designs, in the shape of a giant plexiglass loaf with a row of nipples along the roof. Each piece of the cladding is a two-inch thick slab of translucent plexi, no two alike, averaging probably five feet across, and bound to the frame with giant rivets.

Sexy Female Robots
It was in Peter Cook’s gallery that Piotr and I went to see, appropriately enough, I thought, an exhibit called “Robot Dreams.” One of the items in the display was a reconstruction of the wicked robot who impersonates the heroine in Fritz Lang’s movie Metropolis. Her face is currently plastered all over the city. The exhibit featured some interesting animated constructions, including a kind of complex array of cutouts and video cameras that filled a wall of video screens with constantly changing combinations. There was even a room of little spiders, about the size of your hat, who were triggered by motion detectors to begin scurrying around.

Artificial Handshake
As we were leaving the art gallery, we were stopped by two very polite information design students, who asked if they could videotape, not us, but just our hands, in the act of handshaking. They were making a collection for their web site. We tried it a few times from a couple of different angles, and they eventually cut us loose, but we really felt that we hadn’t managed to provide a satisfactory handshake that represented our actual manner of shaking hands. What they really needed, I think, for a natural-looking greeting, was to hire some actors who knew how to simulate it properly. Only later did I realize that we had missed what might have been a once-in-a-lifetime chance to carry out one of those elaborately artificial handshakes involving slapping our fingers and bumping our fists.

Open-Faced Sandwiches for Breakfast
We had breakfast in Graz at an absolutely delightful little sandwich place called the Café-Imbiss. It is a cozy spot with a very dynamic atmosphere, where tables of people are rapidly coming and going. All of them were there to enjoy oblique slices of fresh baguette that had been artistically supplemented with equally fresh delicacies. I ate, for instance, one open-faced sandwich consisting of folded prociutto that concealed at one end a small slice of melon, and I had another with a small set of smoked salmon slices, topped at one end with a tiny rosette of cream cheese and a miniature sprig of fresh dill.

The Abandoned Tollbooths of Slovenia
After leaving Graz, we drove through Slovenia, which reminded me in many ways of the Rocky Mountain foothills. It took about three hours to drive completely across the country, but every half hour or so we had to slow down to go through a tollbooth. Technology, however, has improved, so that the practice now is not to pay for each section of the highway, but instead to buy a highway pass that lets you use all the highways in the country for several days running. By the time we got to Venice, we had three of these stickers in the window, as well as a pay-as-you-exit toll pass, which is how these things are managed in Italy. Thank God I had Piotr with me, or I would have ended up in a series of confrontations with authorities over my lack of evidence that I knew enough to pay to use the highways. The guards at the final gate in Slovenia were pulling people over with submachine guns, so I was particularly pleased at that point that we had not been delinquent.

The Royal Lippizan Stallions
Who knew that Slovenia is the home of the traveling trick horses of my youth? I remember as a child that these magnificent white horses and their deft riders would make an annual appearance for three shows only in the city of Regina. Piotr tells me that they are considered somewhat of a national treasure by the people of Slovenia.

Arnold
Kim Hoyer tells me that the current governor of California (and former killer robot from the future) was born and bred in Graz, and sure enough, when I checked it out online, there he was, just as bold as brass. He actually came from a small town outside the city, although for some time he was apparently a carrier of the Honorary Ring of Graz, a gold signet given since 1954 to its most prestigious citizens. He returned it in 2005 for reasons unspecified, but one would assume political.

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